Archiv

Eduardo Delgado Lopez aka El Educador aka El Matador del Taxi bietet als DJ ein musikalisches Spektrum, das sich von Hip Hop, Dub und Jungle über Punk bis hin zu Latin und Funk erstreckt. Sowohl als DJ als auch als Musiker schafft er einen Sound, der festgefahrene Konventionen aufbricht. So spielte er in Klubs, wie Toaster und WMF sowie als Bassist bei KRATZ, Mark Boombastik & Eduardo Delgado Lopez (Shitkatapult), beim Caspar Brötzmann Massaker oder bei den Reality Brothers.

https://soundcloud.com/edl-1

https://elmatadordeltaxiakaeleducador.bandcamp.com/

3rd road, Exit 55 revolves around the intricate relationship with individuals and the concrete space we occupy. The concept unfolds as a journey through the spaces we inhabit, our connection with places and the challenges preconceived notions of their meaning. The performance aims to evoke emotions and insights, inviting to question the conventional criteria that define a places significance and to appreciate the intricate interplay between individuals and their surroundings.
Finally, delves into prompting reflection on whether we've ever entered and lived in a place purely for its existence.

A u r o r a B r o c c h i is a dancer and multidisciplinary artist based in Germany. She began her career in dance after graduating from the Contemporary School of Hamburg CDSH in 2021. She has been exploring multidisciplinary arts by creating art works, choreographies and installations which combine those. Aurora recently realized her book “If flowers would not wither”: a book of poetry that talks about changes, life, death, healing processes, movement’s connections and shared spaces. She works with the "Current Dance Collective" in Hamburg, with which she performed three productions “Gorgeousness and Gorgeosity made flesh”, “Rave New World” and “The End Is Important In All Things”. Furthermore, she performed a durational piece, Life on the Planet Orsinamnirana in the Museum of Künste und Gewerbe in Hamburg, first working with the choreographer Ursina Tossi and later on with Jersey Seymour and The Dirty Art Department. In 2023/2024 she worked at the City Theatre in Oldenburg in the Opera production “Die Tote Stadt”. Aurora performed her own pieces “A door to a place I have never seen” in Berlin at GlogauAir Residency, “If flowers would not wither” in Budapest at School of Disobedience and in Shoonya Center for Art and Somatic Practices in Bangalore, India. In addition to that she has worked with the choreographers Yolanda Morales, Abhilash Ningappa, Anand Dhanakoti. “I dance, move, create, paint, write and wonder. I see life through art or the other way around. I’m interested in people, in human bodies and minds, the physical space they occupy and the way those influences each other. I work with images, words, and sensations. I explore and observe my own healing process
through movement and body’s connections. I trust vulnerability, and I think sharing is the most enriching thing that we can experience.”

https://www.instagram.com/aurorabr__/

Partners in life and music, they bring you the heartbeats of punk, post-punk, new wave, on vinyl only.
No fancy stuff, just real beats for real people.
Step into the world of No Tears for the Creatures of the Night, where vinyl spins and shadows dance.

Minoa ist Poesie. Ein klanglicher Zauber, der pure Emotion in Musik übersetzt. Ihr Debütalbum „Forward, Backward, Start Again“ (Listenrecords Berlin, 2022) enthüllt ein Fingerspitzengefühl für Songwriting und einen eigensinnigen Gitarren-Sound, womit Minoa sich ganz und gar in die Szene und Namen wie Julia Jacklin, Big Thief, Angel Olsen, Soccer Mommy oder Snail Mail einreiht.

DJ Vela
– Tech House, Deep House, Electro –

„Everything is Possible!“ Vela zeigt, was mit Musik möglich ist: Im Flow eines dichten elektronischen Gewebes aus Tech House, Deep House, Breaks und Techno erschafft sie einen Raum der Freiheit. Hier regiert der Sound. Zwänge fallen. Das gesellschaftliche Regelwerk zerschellt auf dem Boden der Tatsachen allumgebender Klangkraft. Der Spirit einer langen internationalen Musikgeschichte, einer Mitgestalterin des Underground und Akteurin in FLINTA*-Initiativen wird hier spürbar.
Wenn Sound in Worte gefasst werden kann, dann ist ihr „BadassBassBombardement“ der Begriff für packende Sets, die Erfahrenheit, pures Feingefühl für Musik und Szene, Dynamik und Charme zusammenführen. Denn kaum eine DJ hat die Bässe so in der Hand wie Vela! Sie bringt seit 1999 elektronische Clubkultur ins Eschschloraque, wo schließlich auch dank ihr alles möglich ist.

http://djvela.de/
https://soundcloud.com/dj-vela-2

Text: Vera Fischer