M Love is a DJ and producer based in Berlin. He has released music on labels such as Relish and Play Pal, and his tracks have been supported by highly respected artists such as Curses, Local Suicide, JG Wilkes (Optimo), and more. His eclectic sets and productions fuse raw energy, psychedelic textures, and percussive elements into a dancefloor-driven disco punk sound. As a multi-instrumentalist, he is a member of local psych bands Moriah Plaza and Cherry Bandora.

https://ra.co/dj/mlove

A B O U T  the  P E R F O R M A N C E

How do experiences of forced displacement transform the body and voice? How are concepts like 'home,' 'fragility,' and 'belonging' re-signified? In what way can a dancing body express the fragmentation of identity? How does migrant language articulate new identities in constant reconstruction? 'Vorübergehende Lösungen um das Verlorene zu bennenen' is a performative exploration of the fragility that inhabits the body after a forced displacement. Movement and language are territories of adaptation, marked by the fatigue of relearning new ways of inhabiting the world and reconstructing an identity in constant tension. Between gestures, memories, and fragmented languages, the work asks how to re-signify what has been lost and how to inhabit what remains of it. The performance establishes a constant dialogue between the poetic-fictional and the documentary, taking as a starting point my personal experience and that of the performer: two Venezuelan women, exiled, dissidents; a neurodivergent dancer (Naia Urresti) and a lesbian writer and director (J. René Guerra). In this sense, the way of inhabiting space, the way of moving and dancing of the performer becomes, in itself, a narrative of exile, acting as a field of enunciation against the aggressive logics of the Venezuelan civic-military regime, showing the physical and mental impacts that a body can endure while trying to survive state violence and subsequent uprooting. Through this work, I seek for the audience to witness a subtle and reparative protest, in which the body presents itself, from its fragility and vulnerability, as a territory of struggle and resistance against systems of power.

A B O U T  NAIA URRESTI

Naia Urresti is a neurodivergent Venezuelan dancer and choreographer based in Berlin. From a really young age she starts her investigation of the body and performing arts through artistic gymnasts and theater, studying acting in the Centre of Artistic Creation T.E.T. and taking part in diverse theater workshops and professional projects. Later on she continued her education in Contemporary Dance, Modern Dance, Flying Low and Passing Through, Ballet, Improvisation, Release Technique and Contact Improvisation with different institutions in Caracas, such as Taller Experimental de Danza Pisorrojo, Taller de Danza de Caracas and UNEARTE. Having professionally danced with diverse Venezuelan dance companies such as Pisorrojo (Nepente, The Nutcracker, Fértil, Tesela, Pilastra, Seis Ecos), Neodanza (Azar, Festival de Improvisación Día 13, El Boquete, Furor Navideño), Sieteocho (Análogo) and Proyecto Movimiento (O: Una Mirada a Oriente desde Occidente), she started her investigation as a choreographer developing solo pieces, among them Buscando (2020), 1990 (2021), Penelope (2022), Crescent (2023) and E (2024), and performing her projects in different spaces in Berlin and Madrid. She's also a funding member of the collective The ထth Space, with whom she developed the work Chaos, in this order, an interdisciplinary project about autistic masking.

Website: https://naiaurresti.com
Instagram: https://www.instagram.com/naiaurresti/
Youtube: https://www.youtube.com/@naiaurresti5823

A B O U T  J. RENÉ GUERRA:

J. René Guerra is a caribbean woman captured by the Sudestada. Exile on the fight. Creator of believing and creating. She has been writing, inventing and exploring with theater and cinema for 15 years; also with poetry and short stories.
She has a degree in Arts from the Universidad Central de Venezuela and is a scriptwriter at the Laboratorio de Guion in Buenos Aires, Argentina. She faithfully believes in art as a field of poetic battle, of questioning, of construction of meaning. Her play Guilty (Barcelona, Spain), is currently running in 2025. His next fiction plays: Blablabla Discurso Tóxico (Caracas, Venezuela) and Crisis (Barcelona, Spain), are in rehearsal. His next documentary play Piratas (Isla de Margarita, Venezuela) is in the research process. She is also in pre-production for the tour of his documentary play Extranjera Lenta (Buenos Aires, Argentina), and his latest performance Vorübergehende Lösungen um das Verlorene zu bennnen, (Berlin, Germany). She directs C.R.I.S.T.A.L.E.S, a live performance experience that brings together women and people from the lgbtqia+ community, from different territories of Latin America, with which she supports spaces of containment for victims of gender violence.

Instagram: https://www.instagram.com/jreneguerra/ 
Interview: https://www.youtube.com/watch?v=RZwC3jFKld0

TICKETS:
8:00 pm TICKETS at the door!
The dice will tell you what to pay.
Limited space, come early!
(8,00€ | 8,50€ | 9,00€ | 9,50€ |10,00€ | Joker)

Todesstrahlen mixes industrial with noise rock and post punk. Born in Berlin at the beginning of the 2016, they recorded three DIY albums after improvisation sessions where self-made instruments, made of construction site materials and metal scrap, shaped their sound and attitude.

https://todesstrahlen.bandcamp.com

Fish and Candy DJ set will be spinning their records at Eschschloraque, keeping you dancing until late at night to the sounds of punk-postpunk-garage-77-mod-new wave-80s synth pop-ndw-power pop-gläm. What better way to end the summer? Those who know the duo know what to expect, having been active for years on the German underground music scene, but for those who don't know them, well, get ready for some real dynamite!

Munsha (Cello & Gesang),Yuko Matsuyama (Gesang & Tanz), 
Bastiaan Maris (Jeffrey's Bow Chime) KAI Dead Chickens (Noise Gitarr) 

„Alright, let’s get this fucking noise show startet!” Bobs Worte zur Eröffnung seiner legendären Live-Shows hallen unendlich auf der Bühne im Eschschloraque nach. Unzählige Performances bilden dieses Echo, seien es Live-Improvisationen mit Koryphäen der Musik- und Tanz-Szene, die Ehre, „Bobs Birthday Specials“ auf die Bühne zu bringen oder die zahlreichen Volumes der Konzert-Reihe „Let’s do some Music with Bob Rutman“. Heute erdröhnt die Musik für Bob – zum Gedenken an die Ikone des Berliner Underground, den Vater des Steel Cellos und jahrzehntelang berauschend schonungslose Noise Shows.

Ausgesuchte Weggefährt*innen des Ausnahmekünstlers formieren das Bob Rutman Tribute, das individuelle Geschichten miteinander verwebt und ihnen eine Bühne gibt, denn sie alle verbindet eine eigene Story mit Bob. Das Wort haben komplexe Sound-Dialoge, die der legendären metallenen Klangkunst gedenken: Konventionen brechende und stets neue Grenzen erkundende Cello-Klänge der Komponistin und Sounddesignerin MUNSHA laden dazu ein, sich zwischen Klang und Umgebung zu verlieren, Schönheit in Chaos und Ungewissheit findend. Musik erscheint als ein sich ständig weiterentwickelndes Experiment, ein verzerrtes Spiegelbild der Welt, gesehen durch das Prismaeiner veränderten Wahrnehmung. Performing Artist YUKO MATSUYAMA betrachtet Live- Performances als experimentelle Plattform für interkulturelle Dialoge. Die Schnittstelle von Tanz und Musik erforschend, schafft sie interdisziplinäre Werke, in denen sich Sound, Stimme und Bewegung als gleichberechtigte Ausdrucksformen überschneiden. BASTIAAN MARIS präsentiert eine gewaltige Umwandlung von Energie in Sound, der das Innenleben dieses Prozesses in seiner ganzen Schönheit erfahrbar macht. Bastiaan zählt zu den Personen, die Instrumente für Bob erbauten. Gemeinsam mit ihm, Jeffrey Funt und Nico Lippolis gründeten sie außerdem die Band Mastodon. Zum Tribute spielt er Jeffreys Bow Chime, denn nicht zuletzt liegt die tiefgreifende Musikgeschichte und Freundschaft zu Bob auch in den Instrumenten, den stählernen Klangkörpern, verankert. Stahl, Feuer und die gewaltige Schönheit des Monströsen führen uns zu KAI: Seine Metallkunst vereint rohes, kantig- rostiges Material und kinetische Skulpturen in einem eigensinnig beseelten Werk; als Performancekünstler mit ‚Noise Gitarr‘ verdichtet er das Tribute zu einem poetisch avantgardistischen Verbund der Sound-Dialoge.

Die Schallreflexionen um Bob Rutman und die zugehörigen Zusammenschlüsse von Musiker*innen und Performer*innen sind zugleich eine Spur jahrzehntelanger Kunstproduktion und Musikgeschichte im Haus Schwarzenberg und Eschschloraque Rümschrümp. Das Tribute ist Teil des Begleitprogramms zur Ausstellung ECHOHAUS – 30 Jahre Haus Schwarzenberg im Neurotitan, in der u.a. das Buzz-Chime, nach Bobs Plänen von Bastiaan Maris und Bill Earwaker erbaut, ausgestellt ist. Das Echo antwortet im Eschschloraque, wie Bob sagen würde: „Halleluja!“ Wir sagen: Let’s play this fucking noise show – for Bob!

Text: Vera Fischer

Das Event ist Teil des Begleitprogramms mit Konzerten und Aftershows im Eschschloraque der 3. Jubiläumsausstellung "Echohaus" zu 30 Jahren Haus Schwarzenberg im Neurotitan vom 06.09.-18.10.2025

 Do you  wanna dance? No, you don`t!  MissVergnügen forms Berlin Underground DJ culture since the noughties and stands for a wide range of sounds from "20er-Jahre-Musik" up to Electro. She has an incredible talent for creating musical atmospheres based on the audience; a vibrant process! Expect another eclectic Night with Vergnügen and Mr.B!

Cue J is a musician, DJ and producer from the UK. Playing a variety of sounds from House music, Jazz, Breakbeat and more, he blends DJing with live saxophone to create a unique set and experience. As a producer, his music takes influence from modern House and UK Garage with a blend of raw indie vocals. Currently living in Berlin, he has his own imprint - Ducale Records - releasing electronic music with live instrumentation and feelings.